learning to create
[info]timpiotr
The last two weeks, I've been coloring a comic for Marvel, for the Nation X anthology coming out in January of next year (sorry, no sneak peeks). I've colored comics before, but this is slightly different, and of course, it's for Marvel. It's been a great experience, as I finish up over the next few days. And it's been a learning experience. In terms of what works, what doesn't how to do things, how to do them quicker next time. All things I will take with me to the next thing I work on.

My art education, in terms of creating, is sadly lacking. I majored in art, but my teachers, all who were extremely talented people weren't the best teachers. And in time, I realized they are artists who teach because it's steady income, while giving them time to do what they love, and puts them in contact with a wide range of young artists, and keeps them fresh by that exposure.

But it also means that I didn't any practical training in art. Regardless of what some people might think, there are practical elements in art. Material's knowledge, composition building, even color theory. It's very well to experiment and make discoveries, but you need some base to work from.

So these days, I'm always looking for information about these very subjects. While I might be a better artists if I had that training then I am now, I probably would still feel like I was still reaching towards something. I'm always looking at other artists sites. Which is good and dangerous.

It's to easy to find someones work who makes it all seem so easy. It can lead to you trying to make your work more like theirs, which probably isn't a good idea. Mostly I look for inspiration, problem solutions, new ways of looking at a problem. But at times, I feel that "Oh man, I want to do stuff like that!" I bet many artists do that.

But you know, you have to stay focused. There is always going to be an artist out there that does something that makes you drop your jaw. Sooner or later, someone will look at your stuff, and you'll be on the other end. I've had that happen a few times, and you know, it's a great way to get some perspective on things.

When someone is going on about my stuff, compared to their stuff, all I'm seeing in my stuff is the things I wanted to do, could have done better, mistakes I didn't see then, but see now. So I've learned. What I see, what someone else sees, are often two different things. If a piece doesn't come out the way I wanted, but still works, no one is going to know it's not 100% what I had in my head, unless I tell them.

What I've also learned because of that, don't hide what you are doing, because you feel it wasn't what you wanted. One, you will never get feed back if you only show what you like. In fact, it's sometimes good to show what you don't like, maybe someone will provide some insight, some constructive criticism, that will help you next time to get closer to what you wanted.

I've known a few people like that, who hold everything back, and then get frustrated with the lack of growth in their art. One thing it does, when you feel you failed, is stops you from trying again. Success encourages you to do more, failure can make you want to stop. So the first thing I had to teach myself, redefine failure. Or eliminate the concept from your work.

If you are drawing for yourself, work a drawing to the end, even if it ends up not going where you wanted to. First it teaches you to work to an ending. A lot of people can't do that, because they get frustrated. Also, learn to switch tracks. While coloring this comic, there would be times I would get stuck for what colors to use. Rather then sit there and stare at the screen, I would go color something I knew the color of. Eventually I would come back with a solution to the area that stumped me.

I think it's important, as an artists, to not get frustrated on work that isn't going like you want, and learn to complete, and try and fix along the way, or learn why it didn't work.

NOTE: Just turned over 7 of 8 pages for Marvel to review, and the response I got back was one word. YES (in all caps). Totally made my day, now to just finish up the last pages, and I will have completed the job a day ahead of schedule.

It's an 8 page story about Northstar for the Nation X anthology coming out Jan 6th, I believe there are 4 stories total.

Once it's done, it back to some other projects, professional and personal. So hopefully I will actually be posting some art in this journal.

Remember your process
[info]timpiotr
Take a look at this segment of an illustration I did:

texture

I love the texture I got on the wainscoating. It looks like painted wood, where the wood wasn't treated, and the paint is peeling off, following the grain of the wood, and that the paint has become discolored in spots. There's something splattered on the baseboard.
Um, I can't remember how I did it. I hate when I do that. It was one of those moments where, trying new things, clicking here and there, using new brushes and just going to town, and when it was done, I was asking myself "How exactly did I do that?"
I need to get into the habit of taking a few notes while I work and figure/find a way of doing something. I have the original art, still broken down in layers, so I can go back and look at stuff, and maybe figure a few things out.
I guess it's the nature of the beast, when you are in the zone, and things are flying fast and furious.
NOTE: There won't be any figure drawing this week, as it's a Holiday week.

I'm gonna be a star!
[info]timpiotr
My friends Brian and Andy have a horror blog called Camp Blood. Last week, in a last minute plea, they asked if I could help demo how to make a turkey meatloaf in the shape of a head.

Of course I could.

Here it is.

Enjoy.

Draw everyday
[info]timpiotr
It's Thursday, so that means last night I was at my weekly figure drawing group. We used a new space last night, which was a combination studio/living area for several people, so it was very eclectic, 100% awesome. Wanna see? Of course I took a pano of the space!

Click to see larger
Click to see larger
I felt it was a very good session for me. I focused more on cleaner lines, more confidence in when I make my marks. I think it really paid off. I feel I'm getting better proportions, and more in. I bought a bigger sketchbook, so I'm not cutting off hands and feet so much. If I have one rule during these sessions, it's to NOT cop out on the hands and feets and heads.
So, if you find your normal drawing size doesn't work with the sketch book you have, get a larger one. Mine is a little larger then a laptop, and it fits into my backpack. Finding the tools and materials that you feel work well for you is so important.
And now, some drawings, click to enlarge:

FD-032

FD-032b

FD-031

FD-033


Draw Every Day
[info]timpiotr
Some times, trying to draw every day, is hard because you think, what to draw. I could certainly draw my husband every night, as he watches tv or reads, or catches up with people on Bookface.

But one thing I seldom do, is find photo references and work from that. See, for some reason, it's taken me a long time to work that into my workflow process. And it's a concept I fully understand. it's not so much about copying, but having a reference source for what you are drawing. Lets say you need to draw an old wrinkly women. You can sit there, trying to visualize what wrinkles on a face look like, or just go find some examples and ta da! Thank you google images.

So, I also play Dungeons and Dragons, and I thought, it would be fun to draw some of the people in the city where the players are currently living as a visual aid for the players. I had ideas on what they looked like in my head, and started sketching things down. And of course, when I wasn't quite getting what I saw, or having to make a lot of changes, I thought, what a great time to go to the intrawebz, and find some reference material!

In one case, I liked the top half of the face for the drunk I wanted to draw, but I didn't see him having a full beard. I found another face I liked the mouth and jaw, so quickly photoshopped them together, and I had a good reference for my drunk.

Here are the sketches.

Crone

Durk

Ferb

Hanna

Narcissa

Nimorazan


Draw every day
[info]timpiotr

Yesterday was Wednesday, which means more figure drawing! Next week might be our last time in the space we use for December, as the owner will be traveling during that time. So we are already looking for a new space. Last night we had the largest group so far, 12-13 people. So it would be great to try and keep this going, since we are building a very nice group of people.

My friend Marc, encouraged me to try sketching a different way, to break out of my mold and habits, and push myself. Namely, to not be so scribbly with my lines, but to draw the shape in one line. First, you get more drawing in, since you aren't spending all this time on line.

It's something I'm working towards, not belaboring the work. I'm not looking for perfection mind you. But I do want to be able to draw what I want, and not overwork it. To that effect, I'm going to apply some advice I tell people who ask me, how do you draw? You practice. Just like you learned to write letters and numbers, drawing is similar. You must practice. You must train your hand to do what you want it to. That's the simplisty of it, I think. Yes there are a lot of other factors, but I honestly think that is the basic concept.

So here are two sketches from last night, and the long 40 minute pose.
FD-029
40 minuge pose

Bridget Polk, rockstacker
[info]timpiotr

This morning I wavered back and forth between going to the gym and doing cardio there, or taking advantage of one the last few good weather days, and go biking along the river. I'm glad that I took the river, because I might not have come along this:

IMG_1148

A 20 foot area of the beach had a collection of these rock stacks. I had passed someone farther up, that I first thought was collecting rocks from the banks of the river. I realized that she was in fact, stacking the rocks. I stopped and took several pictures with my iPhone, hoping the came out. I continued on my way, and if she was still there on my way back, I was going to talk to her.

She was still there, stacking rocks. I introduced myself and she told me her name was Bridget Polk.

Bridget_Polk

I talked to her about what she was doing, and why. It started about a month ago, though the idea had been around for a while. A friend had shown her an artist in Sausalito, who stacked rocks as a form of art. Her friend said she probably couldn't do it, which Bridget took as a challenge to prove she could.

She walks along the river for exercise. Her reward, instead of pancakes, is to stack rocks after wards. The area of rocks I saw, she said she has stacked on Sunday, and was surprised to come back today (Tuesday) and see them still standing, and in fact, other people had come along and added to what she had done.

Bridget finds stacking the rocks fun and a good form of mediation for her. She also feels she has a knack for it, and I agreed, as the stacks she makes don't look like she picks the easy way to stack them, often with the widest end standing high up in the air, balanced on the point. Her only tools are a sense of balance, and the rubber gloves, with metal tips inside so as to prevent being hurt if a rock falls. She found that out the hard way, when she thought a rock was balanced, turned and the rock fell on her finger.

Her work as drawn attention from people passing by, and several photographers have come and taken pictures of her and her work. She says she has come and seen people talking about her work. And while tempted to say "I did that!" she hasn't, and instead just listens to what they say, or watches as they add their own touches to the stacks.

At first the idea of other people contributing to what she did, seemed odd, and a fellow stacker (He focuses on driftwood) said that he doesn't mind if others add to what he did, or knocks them down. Once she saw how people reacted to them, and how it inspired them to try themselves, to contribute rather then knock down, she understood why he would feel that way, and embraces the idea that once she is done, what happens to the stacks, happens.

If you live in New York, and want to try and see these, I found her working along the Greenway, between 125 and 115 street area.

Here are more pictures I took of her rock stacks.

IMG_1146IMG_1150IMG_1153IMG_1154IMG_1156IMG_1157

Here is a link to more pictures of her rockstacking.

Besides rocks, she works with balloons, and has also started working in wood. Which you can check out on her site.


Wednesday Figure Drawing
[info]timpiotr

Last night was a very good night for drawing, at my weekly figure drawing group. I'm really happy with the progress I'm making. I would like to increase the number of times a week I go to a figure drawing group, and I've found several others that I'm going to start checking out. It helps when you have a good model, and Shawna (I think that's her name) was great. She does very good poses, she brought props, such as little crystal globes, scarfs and fun hats. And she does something with puppets, I will have to find out what, and if she does puppet shows.
 

 

Two ten minute sketches. I liked the proportions I got, with minimal correcting.
Two ten minute sketches. I liked the proportions I got, with minimal correcting.








Five minute drawings
Five minute drawings




This 20 minute drawing was my favorite last night. I just wanted to capture her with the scarf around her head, and I think I manged to do just that.
This 20 minute drawing was my favorite last night. I just wanted to capture her with the scarf around her head, and I think I manged to do just that.





I will admit upfront, I tweaked this in Photoshop. THe drawing came out fine, but I was having trouble with the interaction between pencil and paper. The paper is some what smooth, and I'll lightly sand it, to give it some texture, and then tone the page. I've done it on previous drawings, so I can have more depth. So what you see is what I intended, but the materials didn't execute as well as I hoped, so I'm going to have to find some pencils that work well on this paper.
I will admit upfront, I tweaked this in Photoshop. The drawing came out fine, but I was having trouble with the interaction between pencil and paper. The paper is some what smooth, and I'll lightly sand it, to give it some texture, and then tone the page. I've done it on previous drawings, so I can have more depth. So what you see is what I intended, but the materials didn't execute as well as I hoped, so I'm going to have to find some pencils that work well on this paper. I'm using a single sketch book for the longer poses, so I don't want to start a new book for that, till I've filled this one.
 

 

 

Draw every day
[info]timpiotr

So, here is another page of colored comics. Now, while I like this, I do feel it's not as tight as the other page, and I think it has to do with to much going on. So I'm going to try a few things in the way of experimenting, to see if Ican make a more unified page.

Cannonball_2-72


Brovember
[info]timpiotr
So, it's Brovember. How this started I don't know, but a lot of people participate by drawing a different bro each day of the month. While I don't think I will do each day, I will be drawing some bro's. So here is my first bro, Urban Cawfee Bro.

I got the idea from Dave


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